The challenge is to use see through materials on your layout, with Kraft as your background. First, I went looking for a photo to suit the theme and came up with this one of the Louvre, a striking glass building in Paris. Then what to use to support the photo? Some of my teamies helped out with suggestions. Think Vellum, Acetate, Clear letters etc. So I rummaged around in my stash and liberated some older products and I'm happy with the result.
Everything old is new again!
Everything old is new again!
The gold and vellum triangle was created with a remnant of Crate paper.
The patterned paper at the bottom is an old, old piece by 7 Gypsies called Fleur de Lys.
The stamped chevrons are by VivaLasVegaStamps.
The patterned paper at the bottom is an old, old piece by 7 Gypsies called Fleur de Lys.
The stamped chevrons are by VivaLasVegaStamps.
The clear letters are also old, Heidi Swapp Ghost letters, I coloured them with
Tim Holtz alcohol inks and stitched them down.
The stamped image is Fleur de Lys from Stampers Anonymous
which I wet embossed with "Aged Taupe" by Stampendous.
The film strip is from Tim Holtz.
The journalling is on the back of the page and it reads:-
This stunning building is a newer addition to the enormous Louvre and I love the contrasting architecture between the old and the new. Can't help but wonder about the debate between the conservatives and progressives, which preceded the approval for the building. Maybe it was a bit like the nonsense that went on in Sydney during the construction of the landmark Opera House. We queued with hordes of other tourists to see the Mona Lisa; so much smaller than I imaged her to be; and preferred less crowded spaces like the Degas exhibition.
Tim Holtz alcohol inks and stitched them down.
The stamped image is Fleur de Lys from Stampers Anonymous
which I wet embossed with "Aged Taupe" by Stampendous.
The film strip is from Tim Holtz.
The journalling is on the back of the page and it reads:-
This stunning building is a newer addition to the enormous Louvre and I love the contrasting architecture between the old and the new. Can't help but wonder about the debate between the conservatives and progressives, which preceded the approval for the building. Maybe it was a bit like the nonsense that went on in Sydney during the construction of the landmark Opera House. We queued with hordes of other tourists to see the Mona Lisa; so much smaller than I imaged her to be; and preferred less crowded spaces like the Degas exhibition.
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